This is an illustration I’ve had in my mind for years – The Girl with the Dragon Tattoo. Being both a book and a movie, and a movie again it is a story that has been imagined and re-imagined so many times. I wanted to see what my representation of it would be, so whilst based on Rooney Mara’s Lisbeth, I wanted to take it further and create a new version of her with my style.
It was really about the tattoo, so that was where I started. I first remember drawing dragons like this as child, it’s obviously from all the Chinese dragons I’d seen growing up and especially every year in china town. I think my first proper ones though were a giant silk wall hanging I painted for my uncle in Singapore when I was bout 12. To be honest the design of the dragon hasn’t changed much over the years although this is much more aggressive in it’s posture and expression – a proper bad ass. It’s also a whole lot more detailed and I can draw scales a bit better now, all in all I’d say it’s a lot better than my 12 year-old self’s attempt – as you’d hope!
Whilst it took a long time drawing Lisbeth and her tattoo, I spent almost as much time on the lettering as I did on the rest of the drawing. I really wanted to make the typography an integral part of the illustration, not just an addition slapped on at the end. So various incarnations of the smoke and how it became the lettering as well as under and over ‘punking’ the letter forms until I felt it was the perfect balance!
As usual it’s the little additions of the lighting that really make it come to life and make the colours work.
Check out some details below and if you’d like to see a video of the tattoo check out my instagram here
I’ve been really enjoying creating alternative movie posters for the likes of Kong: Skull Island and Baby Driver. They’ve been so well received by both the studios, directors and fans, it’s hard to believe!
This one is less of an alternative movie poster and more of a piece of fan art. I also enjoyed playing around with creating a very basic clip of the different images I used to create it. I decided that as I wanted to explore the image and characters fully I’d fully illustrate both and make their main facial features align. This way I could use both separately or together. It seemed like the best way to represent them as two leaders who are both mirroring each other as leaders and visionaries for their respective groups. Saying that Woody Harrelson does a great depiction of the Colonel with a certain madness in his eyes!
It was challenging to get Caesar and Woody Harrelson to look right and correlate, but I think that the effect is worth it. It was also interesting working in such a dark colour way.
Here are a few shots…
It is so great to see that Edgar Wright has chosen to use illustration for the official promotional art for Baby Driver. So I am super excited to see that Edgar Wright, Working Title and Sony Pictures working with PosterSpy on this creative brief for alternative posters.
It was a big challenge as I really wanted to create something that captured the essence of the movie. At the same time I wanted to create something different from the official art. I love the Baby Driver official art and would have gone down a very similar route if I hadn’t already seen it. It’s so well put together and versatile with the different elements, that I really think it’s pretty much perfect. So my one major concern was to make it different enough from all the other posters being produced.
The film is so punchy and stylish I had to really pare down what I wanted to represent. There were so many options, but I finally went with Baby’s sunglasses as the device to bring together all the characters. Then replacing the toy car with the Dodge Challenger Hellcat SRT used in the escape car chase came as a natural way of bringing in the story.
There is a lot of attention from the studios, cast and Edgar Wright himself, and I was super star struck when I saw that he had retweeted my poster. It’s great to see how many people engaged with it and were really digging it. The film itself is receiving nothing short of stellar reviews across the board, and deservedly so!
Baby Driver’s soundtrack on it’s own is immense. Combined with Edgar’s trademark punctuated style and amazing cast’s performances it really is the complete package. It was great to be a part of another stand out collection from PosterSpy. With over 180 entries, it’ll be interesting to see how Edgar, Jack and the team make their decision as to the overall winner.
I’m a runner up! Although I would have loved to have won the competition, it’s amazing to know that Edgar Wright chose it himself. Big props that he got so involved and for actually judging the posters himself, there are so many amazing entries so it’s great to have been picked out.
My Kong Skull Island poster has been selected by Poster Spy and Legendary Pictures to feature in the Tribe of Kong Art show in New York's Bottleneck Gallery! I am so excited to have been selected from over 220 entries to exhibit along side artists from great collectives Mondo, Poster Posse, Poster Spy as well as the official movie art.
In celebration of the return of Kong in Kong Skull Island, Warner Bros. and Legendary curated a series of Kong tribute art that was showcased in a limited engagement gallery at the Bottleneck Gallery in Williamsburg, Brooklyn. In addition to original concept art and key art from the film, the gallery featured original pieces from artists around the world commissioned by Poster Spy, Poster Posse, Mondo and Bottleneck Gallery.
It's great that the heads over at Legendary were involved in what was apparently an incredibly rigorous process to whittle it down to a final 10 prints from Poster Spy and really adds a lot of prestige to the whole show. The Tribe of Kong art show was a great exhibition with art from some of the greatest artists currently out there. It looks like it was a great show and I wish I could have seen it in the flesh and met with some of the other great artists that took part.
Here are some awesome photos but check out Legendary's post here.
This is my alternative movie poster for the upcoming release of Kong Skull Island which sees it's UK premier tonight. It's part of a creative brief by Poster Spy and movie company Legendary Pictures to accompany the cinematic release of Kong Skull Island. It was selected by Poster Spy and Legendary Pictures to feature in the Tribe of Kong Art show in New York's Bottleneck Gallery with artist collectives Mondo, Poster Posse and Poster Spy.
After watching the trailers a lot, I wanted my poster to show Kong as a powerful, menacing force of nature, who's not the aggressor, but will not hesitate to defend the island. I really wanted to get across the feeling of the calm before the impending storm. Inspired by several great shots from the trailer, I decided to show a representation of Kong as Part of the island itself, literally making him a mountain for the poster – Massive, solid and immovable, at least until the uninvited visitors disturb the peace, which I think the birds taking flight gives a little nod too.
So much of the trailer is him fighting, smashing and generally going crazy, but I felt that with it being an alternative poster I really wanted to concentrate on the island before the film starts which is why I moved the perspective away from the skull crawlers, and the invading humans and tried to almost give it a meditative feeling.
Taking loads of reference of kong, gorillas and tropical islands, it was a real challenge to find the balance of showing Kong as a mountain without him looking just like either an oversized gorilla or a cliff-face. I also didn’t want to make the other monsters centre stage, but I couldn’t resist having a spider in there.
Here are some details