Who doesn’t love Red Bull sports? As a keen mountain bike trail rider I really enjoy all the media they put out and none more so than the Red Bull Hardline mountain bike event.
For those who haven’t seen the event I suggest you check it out. Think Welsh mist drifting across a huge downhill run, jumps the size of double-decker buses, drops across roads and rock gardens, all to the sound track of chainsaws! The event was held in Wales this year and the course was designed and built by Dan Atherton and his team. There were some brutal jumps and drops and the north Wales weather kept everyone on their toes. The size of the jumps were insane only matched by the skills of the riders.
Craig Evans won the event with a ridiculously quick run. Followed closely by Bernard Kerr and course designer Dan Atherton in third place. All the riders deserve props but there can only be one winner, so it’s Craig that I’ve illustrated on his Santa Cruz v10. Craig rides in black and green but for this I wanted to reflect Red Bull’s event as well so I went with their infamous blue, yellow and red.
The Type for this had to be BIG and BOLD it’s shouting out over the din of the chainsaws and it’s coming straight for you!
I wanted to illustrate the speed that these guys are travelling at but at the same time didn’t want to blur anything out so I’ve gone for a super sharp stop frame. Adding the dust, grit and gravel kicking up and drifting off the rider really helps with the effect of it being a single instance captured in the moment.
Here are some details…
This is an illustration I’ve had in my mind for years – The Girl with the Dragon Tattoo. Being both a book and a movie, and a movie again it is a story that has been imagined and re-imagined so many times. I wanted to see what my representation of it would be, so whilst based on Rooney Mara’s Lisbeth, I wanted to take it further and create a new version of her with my style.
It was really about the tattoo, so that was where I started. I first remember drawing dragons like this as child, it’s obviously from all the Chinese dragons I’d seen growing up and especially every year in china town. I think my first proper ones though were a giant silk wall hanging I painted for my uncle in Singapore when I was bout 12. To be honest the design of the dragon hasn’t changed much over the years although this is much more aggressive in it’s posture and expression – a proper bad ass. It’s also a whole lot more detailed and I can draw scales a bit better now, all in all I’d say it’s a lot better than my 12 year-old self’s attempt – as you’d hope!
Whilst it took a long time drawing Lisbeth and her tattoo, I spent almost as much time on the lettering as I did on the rest of the drawing. I really wanted to make the typography an integral part of the illustration, not just an addition slapped on at the end. So various incarnations of the smoke and how it became the lettering as well as under and over ‘punking’ the letter forms until I felt it was the perfect balance!
As usual it’s the little additions of the lighting that really make it come to life and make the colours work.
Check out some details below and if you’d like to see a video of the tattoo check out my instagram here