It is so great to see that Edgar Wright has chosen to use illustration for the official promotional art for Baby Driver. So I am super excited to see that Edgar Wright, Working Title and Sony Pictures working with PosterSpy on this creative brief for alternative posters.
It was a big challenge as I really wanted to create something that captured the essence of the movie. At the same time I wanted to create something different from the official art. I love the Baby Driver official art and would have gone down a very similar route if I hadn’t already seen it. It’s so well put together and versatile with the different elements, that I really think it’s pretty much perfect. So my one major concern was to make it different enough from all the other posters being produced.
The film is so punchy and stylish I had to really pare down what I wanted to represent. There were so many options, but I finally went with Baby’s sunglasses as the device to bring together all the characters. Then replacing the toy car with the Dodge Challenger Hellcat SRT used in the escape car chase came as a natural way of bringing in the story.
There is a lot of attention from the studios, cast and Edgar Wright himself, and I was super star struck when I saw that he had retweeted my poster. It’s great to see how many people engaged with it and were really digging it. The film itself is receiving nothing short of stellar reviews across the board, and deservedly so!
Baby Driver’s soundtrack on it’s own is immense. Combined with Edgar’s trademark punctuated style and amazing cast’s performances it really is the complete package. It was great to be a part of another stand out collection from PosterSpy. With over 180 entries, it’ll be interesting to see how Edgar, Jack and the team make their decision as to the overall winner.
I’m a runner up! Although I would have loved to have won the competition, it’s amazing to know that Edgar Wright chose it himself. Big props that he got so involved and for actually judging the posters himself, there are so many amazing entries so it’s great to have been picked out.
Another Editorial piece this time for finance and economics magazine RISK. Briefed quite strictly to mirror a classic Soviet feel-good propaganda poster but with Quants in place of the farmers, looking to the future with purpose and fortitude. Representing the movement of quants from the back rooms and basements into the front offices and client facing positions.
Here are some shots
Here's an illustration for business magazine Euromoney. It was briefed as a celebration that no one turned up to, showing a depressed Takehiko Nakao, President of the Asian Development Bank. I went with a pared down colour scheme highlighting the key features. The story was originally planned as a cover, which is why I've left spaces for the masthead and secondary headlines, but at the last minute the Euromoney went with a different cover story, which was a bit disappointing, but that's the way with current affairs ediorials, there's always next issue!
Here are some shots
At the end of last month I was approached by Closer Artists to help out with some urgent artwork they needed for Irit – an amazing singer who was releasing a new album and embarking on a tour.
Originally from Haifa, Irit grew up on a diet of jazz, classical, radio pop and the amazing rhythms of Ladino and in 2013 she released an album of jazz standards reinterpreted, winning critical acclaim and allowing her to tour Europe for the first time.
Whilst in London she met Jonathan Quarmby, fresh from producing the Mercury winning Benjamin Clementine album, and the two set to work crafting an album of 12 rhythmic, bright, colourful pop-influenced songs. I would call it up-tempo summer-time jazz with a latin underscore – and fits very well with Caro Emerald who she supporting on her current tour.
The album ‘Hello’ is driven by accordion, Latin guitar, trumpets and Irit’s effortless vocals. It’s an album that will sit comfortably between Astrid Gilberto, Beuna Vista Social Club and Christine and The Queens, be prepared to to be won over and say “hello” to Irit! She will also be in Brighton on the 14th April when Caro Emerald plays at the Brighton Centre.
This is my alternative movie poster for the upcoming release of Kong Skull Island which sees it's UK premier tonight. It's part of a creative brief by Poster Spy and movie company Legendary Pictures to accompany the cinematic release of Kong Skull Island. It was selected by Poster Spy and Legendary Pictures to feature in the Tribe of Kong Art show in New York's Bottleneck Gallery with artist collectives Mondo, Poster Posse and Poster Spy.
After watching the trailers a lot, I wanted my poster to show Kong as a powerful, menacing force of nature, who's not the aggressor, but will not hesitate to defend the island. I really wanted to get across the feeling of the calm before the impending storm. Inspired by several great shots from the trailer, I decided to show a representation of Kong as Part of the island itself, literally making him a mountain for the poster – Massive, solid and immovable, at least until the uninvited visitors disturb the peace, which I think the birds taking flight gives a little nod too.
So much of the trailer is him fighting, smashing and generally going crazy, but I felt that with it being an alternative poster I really wanted to concentrate on the island before the film starts which is why I moved the perspective away from the skull crawlers, and the invading humans and tried to almost give it a meditative feeling.
Taking loads of reference of kong, gorillas and tropical islands, it was a real challenge to find the balance of showing Kong as a mountain without him looking just like either an oversized gorilla or a cliff-face. I also didn’t want to make the other monsters centre stage, but I couldn’t resist having a spider in there.
Here are some details
Lady Death – ensnaring you with voodoo, beguiling you with her enchanting sweet poison and if all else fails she has the bite of a viper, death comes for us all. The final print in the Folklore series for the time being.
I was inspired to do this piece after hearing Valerie June on the radio and then googling her and finding that she has possibly the most incredible hair I've ever seen. It's so cool I had to try and draw it – and this lended itself to my idea for a Lady Death illustration that I had in mind. It changed quite a lot along the way, originally it was going to be much more disgusting with rot and maggots, worms and centipedes in the hair – all things of death, but after coming across Valerie's dreads I decided to take it in a much cleaner snake like direction. Not quite medusa, this lady kills you with kindness, bringing death with a sweet embrace, before you know it, it's too late.
Here are some close ups
Royalty, dominant and vital, she's unique in her hive, her perfume bewitching admirers who swarm around her, she's the Queen. (Bee)
Continuing my folklore series of prints, here's Queen Bee. The spirit of the hive she reigns with her pheromones which control the drones and worker bees to feed, care and mate. Until, that is her purpose is fulfilled and she is replaced by a younger more reproductive female.
This one has a bit of a message behind it – I am very interested in conservation issues and so like a few of my illustrations has another point of inspiration. Bees are essential to the survival of our planet and faced with so many challenges it is more important than ever that they are encouraged and protected. The Varroa destructor parasitic mite is destroying colonies across the globe. That along with the threats faced by bees from the increasingly unpredictable weather systems and habitat loss causing an alarming rate of Colony Collapse Disorder. Many native and wild bee species are more specialist when it comes to which plants they can feed from and so are really feeling the effect of habitat loss, with many species in decline or even disappearing all together.
Here are some close ups
Here's my illustrated portrait for the cover of POLITICO. It depicts Pierre Sellal, France's veteran ambassador to the European Union. The piece is a dedicated appraisal of Sellal – a top diplomat that France has relied on to keep everything operating smoothly within the EU. He is the man in the know and has for many years been the go to guy for french politicians who needed help with a European issue. He is however approaching retirement and the question is when he does stand down, what kind of ambassador will France put in his place? It would be hard to replace a like for like diplomat, or would a more modern representative than Sellal be better for a European Union that finds itself trying it's best to hold together, whilst so many would tear it apart.
I suggested that we depict Sellal in a very strong light wrapped in the Tricolor and what better way to show reverence to the great protector of France than in a statuesque pose set within a stained glass window? Inspired by many visits to Carcassonne in the past I felt that would be a great way to pay homage to the career of a man dedicated to his protection of France.
The use of stained glass also gave me the opportunity to seamlessly put in the french references that tie it all together.
Leaves turn and start to fall, the light gets warm and low, as cold winds start to blow, nature prepares for the finalé of another year, Autumn is here.
This is the first in my folklore series of prints, inspired by spirits, superstitions and myths – stories of wisps in the forest and the queen of the bees. This one tells the tale of Autumn's Song, changing the season and moving the year to it's end, with a chill in the air the wild world prepares to face the harsh winter that approaches.
It was really nice to hear BBC 6Music's Mary Anne Hobbs mention it on her show one weekend – she called it a gorgeous, absolutely exquisite illustration! Thanks Mary Anne.
This will be available as a limited run giclée print when I finish setting up my web store. Check back soon or follow me on twitter/instagram to be updated as to when it's available. In the mean time here are some detail shots...