When the film adaptation of J. G. Ballard's High-Rise came out I was really keen to do an alternate book cover. It can be challenging to decide on a visual style and look for something that has been adapted onto screen because there are obvious influences that will be different from the original book – but in this case I wanted it to reflect both and to be as much a High Rise movie poster as a book cover.
Having studied architecture at university I have a bit of a soft spot for the brutalist architecture of the 50s and 60s. With this in mind I made this image more of a blueprint or architect's visualisation than a photographic reproduction. It's still very detailed – the high rise itself is stark and imposing but with a much looser graphic flow to the city which almost fades into a cubist pattern.
I wanted the title to accentuate the perspective adding to the feeling of height and power.
Here’s my illustration for the cover of POLITICO. The article was an editorial questioning the way Hungarian politicians in Brussels are viewed by their compatriots in the European Commission, and the effect of their outspoken Prime Minister Viktor Orbán’s hardline views on the EU’s open border policies.
I wanted to put across the feeling of discord and isolation as not everything in the Union is in unison. There is an unease amongst the representatives in the European Parliament. Is it getting harder to ignore the different ways in which each country wants the Union to work and whether certain countries are being ostracised for what the politicians back home are saying and doing?
It will be interesting to see how the article is received in Budapest and Brussels and if this editorial has a prophetic narrative for the future of the European Union.